twitter

Friday, 8 July 2016

Thursday, 7 July 2016

Monday, 27 June 2016

link to the .pdf '"When Did the Swiss Get so Rich?" Comparing Living Standards in Switzerland and Europe, 1800-1913' by Roman Studer (Journal of European Economic History, 2008)

Sunday, 22 May 2016

Karajan making his players wear wigs on this documentary.

Thursday, 12 May 2016

'in the middle of nowhere'

Wednesday, 20 April 2016

Much contemporary public art in Britain is simple-minded, preoccupied with gigantism and populism, and intended to overshadow the more pressing social needs of the artwork's immediate locale. Hans Haacke's skeletal horse in Trafalgar Square is possibly an exception.

Given the context and that Haacke's work is based on the skeleton of a horse (hollowing out the heroic chargers ridden by the bronze and marble military men that line Whitehall), and given that almost all public art - created as it is by committee - is terrible, I'd say Haacke's Gift Horse is really quite noble.


Professor Scott King, chair of visual communications, University of the Arts, London

- letter to the London Evening Standard, 9th March 2015

Friday, 15 April 2016

The drone to me has the visual power to suggest a form of knowledge that invades.

- Dinh Q. LĂȘ